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	<title>Comments on: how am I up to?</title>
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	<link>http://www.astralpunch.com/blog/2007/06/19/how-am-i-up-to/</link>
	<description>where the hell is my chiffon?</description>
	<pubDate>Tue, 06 Jan 2009 01:29:16 +0000</pubDate>
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		<title>By: Bronwen</title>
		<link>http://www.astralpunch.com/blog/2007/06/19/how-am-i-up-to/#comment-5223</link>
		<dc:creator>Bronwen</dc:creator>
		<pubDate>Wed, 20 Jun 2007 04:05:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.astralpunch.com/blog/2007/06/19/how-am-i-up-to/#comment-5223</guid>
		<description>See, the Gurinder Chadha segment was made better for me by the end of the movie, where you see the girl and the boy separated by the friend/chaperone at the concert.  It was a little sparky in my heart.</description>
		<content:encoded><![CDATA[<p>See, the Gurinder Chadha segment was made better for me by the end of the movie, where you see the girl and the boy separated by the friend/chaperone at the concert.  It was a little sparky in my heart.</p>
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		<title>By: matt</title>
		<link>http://www.astralpunch.com/blog/2007/06/19/how-am-i-up-to/#comment-5222</link>
		<dc:creator>matt</dc:creator>
		<pubDate>Wed, 20 Jun 2007 02:34:51 +0000</pubDate>
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		<description>What is up with the Christopher Doyle segment in &lt;I&gt;Paris Je T'aime&lt;/i&gt; is Christopher Doyle is an Aussie who works primarily in Asia (lensing for Wong Kar-Wai, mostly) and a little in America (he shot &lt;I&gt;Psycho '98&lt;/i&gt;, &lt;I&gt;Lady in the Water&lt;/i&gt;, etc.), and he wants the world to know he is international and shit.  Also, what is up with this segment is Christopher Doyle is a cinematographer, and cinematographers rarely make the successful leap to director.  (This doesn't go for the other way: "Peter Andrews," aka Steven Soderbergh, is pretty awesome in my book.)

Man, I so don't taime &lt;I&gt;Paris Je T'aime&lt;/i&gt;.  I kind of liked the Payne, the Coens, the Natali and the Assayas (which is amazing if you let the ambiance soak over you but don't pay attention to its admittedly blah storyline). But the bad (Craven, Chomet, LaGravenese, Salles, Schmitz and -- sorry -- Chadha) are derailingly bad.  Bring on &lt;I&gt;New York Stories&lt;/i&gt; in my opinion.

I just plowed through &lt;I&gt;Freaks and Geeks&lt;/I&gt; for the first time myself.  Martin Starr rules!</description>
		<content:encoded><![CDATA[<p>What is up with the Christopher Doyle segment in <i>Paris Je T&#8217;aime</i> is Christopher Doyle is an Aussie who works primarily in Asia (lensing for Wong Kar-Wai, mostly) and a little in America (he shot <i>Psycho &#8216;98</i>, <i>Lady in the Water</i>, etc.), and he wants the world to know he is international and shit.  Also, what is up with this segment is Christopher Doyle is a cinematographer, and cinematographers rarely make the successful leap to director.  (This doesn&#8217;t go for the other way: &#8220;Peter Andrews,&#8221; aka Steven Soderbergh, is pretty awesome in my book.)</p>
<p>Man, I so don&#8217;t taime <i>Paris Je T&#8217;aime</i>.  I kind of liked the Payne, the Coens, the Natali and the Assayas (which is amazing if you let the ambiance soak over you but don&#8217;t pay attention to its admittedly blah storyline). But the bad (Craven, Chomet, LaGravenese, Salles, Schmitz and &#8212; sorry &#8212; Chadha) are derailingly bad.  Bring on <i>New York Stories</i> in my opinion.</p>
<p>I just plowed through <i>Freaks and Geeks</i> for the first time myself.  Martin Starr rules!</p>
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